And that’s what makes the most recent developments so intriguing. If you’re imagining this requires new ways of thinking about a mix and timbral composition, you’re right. He walks through the integrated software, and how a person working more traditionally in Ableton would interface with all this new three-dimensional complexity. Max Cooper spoke to DJ TechTools about his idea, noting that 4D can make even the clubgoers’ experience spatial – those sounds that tend to degrade to monaural perception in a crowded dance floor. MAX COOPER IN 4D: EXPERIENCE MUSIC LIKE NEVER BEFORE įast Company did an interview going deeper into how this technology can work: How The Fourth Dimension Of Sound Is Being Used For Live Concerts Dutch sonic engineers Paul Oomen, Salvador Breed, Poul Holleman, and Luc van Weelden created the system.īack in the fall, 4DSOUND got its first try-out, with producer Max Cooper synthesizing new creations: Sensors can also track motion through the space (that’s the squiggly lines you see below). Ableton Live (with Max for Live) and Liine’s Lemur iPad app work with that system to finely position sound in the new space that’s created. The result is a sonic bath, a three-dimensional audio environment. On that grid, columns house 48 omnidirectional speakers, as nine sub-speakers rumble beneath the floor. And that’s why 4DSOUND in Amsterdam is such a compelling canvas.ĤDSOUND is a unique installation, 256 square meters (2700+ square feet) of floor, divided into an equal grid. New sound experiences demand not only new content, but new terrain – architectural audio, spaces that can take on new meanings.
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